AN ARTIST'S BIOGRAPHY Francais Italiano

In the years 1974 - 1977 Jacquounain acquired a horse skull, which she drew a lot, and this gave several still lifes and compositions.

This theme was taken up again around 1980 - 1981 by suggestion of Father Vallet of the gallery "le Haut Pavé" with a view to in view of an exhibition.

Around 1976, very interested in the study of the composition of the painting, she took as an example one of the engravings of William Hogarth (English artist of the XVIII century) and this study generated the series of paintings "Black Cello" and "Autumn Violins". Black" and "Autumn Violins".


The theme was taken up several times: in 2006 at the suggestion of Alexandre Gama (curator of the Salon des artistes Indépendantes) and in 2015 on suggestion of Thierry Renaudin - Viot who arranged to exhibit it at the Cloître des Billettes.
For the 2nd exhibition at the Cloître des Billettes Jacquounain added the series of paintings - antipodes: Narcissus.

From the 1980s in France Jacquounain made a series of landscapes and still lifes in which in which she posed as the main artistic theme the development of contemporary perspective - or how to perspective - or how to present space on the canvas.

These are the works made on paper by mixed techniques: egg painting, watercolor, collages. Triades ou quarantain